Listen What are you listening to RIGHT NOW?
- Thread starter Bluesville
- Start date
Love this version. Croweology is an album of past songs recorded live in a studio album with many of the songs done acoustically this time around., The guitarist is fucking incredible on an acoustic. Luther Dickinson - one of the best.
This is a long song - but if you don't won't to listen to it all do yourself a favor and jump ahead to 3:20 to hear a great acoustic solo that morphs into some awesomely chill harmonica playing over some great acoustic work. Work up the back beat and bring it on home with some slide work. So fucking awesome.
View: https://www.youtube.com/watch?v=03DdRyLEYWc
This is a long song - but if you don't won't to listen to it all do yourself a favor and jump ahead to 3:20 to hear a great acoustic solo that morphs into some awesomely chill harmonica playing over some great acoustic work. Work up the back beat and bring it on home with some slide work. So fucking awesome.
View: https://www.youtube.com/watch?v=03DdRyLEYWc
And if you want to hear some Luther...
Rocking the acoustic...
View: https://www.youtube.com/watch?v=X2SKYyo8ecw
Some Mississippi Blues on electric...
View: https://www.youtube.com/watch?v=sPGmrkr3W6U
Some classic blues...
View: https://www.youtube.com/watch?v=MqZy41Tllws
Yeah. He's good.
Rocking the acoustic...
View: https://www.youtube.com/watch?v=X2SKYyo8ecw
Some Mississippi Blues on electric...
View: https://www.youtube.com/watch?v=sPGmrkr3W6U
Some classic blues...
View: https://www.youtube.com/watch?v=MqZy41Tllws
Yeah. He's good.
song is only 2:44 idk why video is 5 mins
xylophone and great fucking horn lines... damn this is so smooth I'm almost off my chair
David Samuel "Dave" Pike (March 23, 1938 – October 3, 2015) was a jazz vibraphone and marimbaplayer. He appears on many Herbie Mann albums as well as those by Bill Evans, Nick Brignola, Paul Bleyand Kenny Clarke. He also recorded extensively as leader, including a number of albums on MPS Records.
He learned drums at the age of eight and was self-taught on vibes. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes when working with flautist Herbie Mann in the early 1960s.[1] By the late 1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. Doors of Perception, released in 1970 for the Atlantic Records subsidiary Vortex Records and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians like alto saxophonist Lee Konitz, bassist Chuck Israels and pianist Don Friedman.
... you can hear the influence on Thievery in that I believe
He learned drums at the age of eight and was self-taught on vibes. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes when working with flautist Herbie Mann in the early 1960s.[1] By the late 1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. Doors of Perception, released in 1970 for the Atlantic Records subsidiary Vortex Records and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians like alto saxophonist Lee Konitz, bassist Chuck Israels and pianist Don Friedman.
... you can hear the influence on Thievery in that I believe
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this dude does a good cover considering hes singing in his room and this is a hard as fuck song to sing
this dude does a good cover considering hes singing in his room and this is a hard as fuck song to sing
The band was formed in 1996 by R.E.M.'s Peter Buck (guitar), Barrett Martin of the Screaming Trees (drums and percussion), Justin Harwood of Lunaand The Chills (bass guitar, double bass), and Skerik of Critters Buggin (saxophones). The band was named, at Harwood's suggestion, after a reptile from his native New Zealand.
Originally a project to get musician friends some soundtrack work, the project evolved into an active band, doing occasional live shows, and recording their first album Breaking the Ethers, encompassing a sound influenced by various styles of music, from Lebanese and Asian music to more traditional Western folk music.